|
This new version of the specification is listed as laid out
at the console. The indications in brackets (Great, Swell, Solo, Accomp) are the
chambers in which the ranks/traps are located.
PEDAL ORGAN
|
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31 |
Double Open Diapason
Ophicleide
Open Diapason Wood
Open Diapason Metal
Major Bass
Bourdon
Contra Gamba
Double Dulciana
Contra viola
Echo Bourdon
Trombone
Tuba Horn
Contra Tromba
Double Trumpet
Quint
Octave
Principal
Bass Flute
‘Cello
Tibia Clausa
Trumpet
Twelfth
Fifteenth
Flute
Bass Drum Tap p
Bass Drum Tap f
Bass Drum Roll
Snare Drum Roll
Cymbal Crash
Cymbal Roll
Triangle |
32
32
16
16
16
16
16
16
16
16
16
16
16
16
10 ⅔
8
8
8
8
8
8
5 ⅓
4
4
|
(bottom 2 notes digital)
(GREAT) (bottom 12 notes digital)
(GREAT)
(bottom 12 notes digital - from No. 1)
(GREAT)
(Open Diapason No 2)
(GREAT)
(Tibia Clausa )
(SOLO)
(GREAT)
(SWELL)
(ACCOMPANIMENT)
(ACCOMPANIMENT)
(Röhr Gedeckt)
(SWELL)
(From No.2)
(GREAT)
(SOLO)
(GREAT)
(SWELL)
(From No. 6)
(GREAT)
(From No. 1)
(GREAT)
(From No. 4)
(GREAT)
(From No. 6) (Stopped Diapason )
(GREAT)
(From No. 7)
(SWELL)
(From No. 5)
(SOLO)
(From No. 2)
(GREAT)
(From No. 6)
(GREAT)
(From No. 4)
(GREAT)
(From No. 6)
(GREAT)
PERCUSSION PERCUSSION PERCUSSION PERCUSSION
PERCUSSION PERCUSSION PERCUSSION |
PEDAL PERCUSSIONS TO 2nd touch (by switch)
SWELL ORGAN and ORCHESTRAL SWELL
(Classical Swell stops in Swell chamber in BLOCK CAPITALS) Other ranks in SOLO
chamber unless otherwise stated)
| 32 33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63 |
RÖHR GEDECKT CONTRA GAMBA
DOUBLE TRUMPET
CONTRA OBOE
Tuba Horn
VIOLIN DIAPASON
GAMBA
VOIX CELESTE
RÖHR GEDECKT
Harmonic Claribel
Tibia Clausa
TRUMPET
HORN
OBOE
Tuba Horn
Orchestral Trumpet
Vox Humana
Clarinet
Saxophone
Orchestral Oboe
GAMBETTE
FLUTE
GEMSHORN
Harmonic Claribel
Tibia Clausa
CLARION
Vox Humana
TWELFTH
Tibia Clausa Twelfth
Tibia Clausa
FIFTEENTH
MIXTURE
Swell Sub-Octave
Swell Unison Off
Swell Octave |
16
16
16
16
16
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
4
4
4
4
4
4
4
2 ⅔
2 ⅔
2
2
IV ranks |
(From No. 33)
(From No. 32
From No. 34)
(From No. 35)
(ACCOMP)
(From No. 33)
(From No. 32)
(From No. 37)
(From No. 34)
(ACCOMP)
(From No. 32)
(17.19.22.26) |
GREAT ORGAN (Classical Great Stops in BLOCK CAPITALS) (Other ranks in Solo chamber unless otherwise stated)
|
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117 |
Bottom row of stopkeys
DOUBLE OPEN DIAPASON (metal)
BOURDON
Tibia Clausa
Contra Gamba
Röhr Gedeckt (engraved on stopkey)
Contra Dulciana
CONTRA TROMBA
Tuba Horn
OPEN DIAPASON 1
OPEN DIAPASON 2
OPEN DIAPASON 3
STOPPED DIAPASON
Viola
Gamba
Tibia Clausa
Harmonic Claribel
Dulciana
Flute
TROMBA
Tuba Horn
Orchestral Trumpet
Clarinet
Vox Humana
Orchestral Oboe
Saxophone
Great Octave Coupler
Top row of stopkeys
Quint
OCTAVE
PRINCIPAL
WALD FLUTE
Tibia Clausa
Octave Claribel
Dulciana
Gambette
Flute
CLARION
Tuba Horn
Vox Humana
TWELFTH
Tibia Twelfth
Flute Twelfth
FIFTEENTH
Dulcetina
Flute
Tibia Clausa
Flute Tierce
MIXTURE
Chrysoglot
Xylophone
Glockenspiel
Orchestral Bells
Tibia Clausa (2nd Touch)
Tibia Clausa (2nd Touch)
Tibia Clausa (2nd Touch)
Orchestral Trumpet
Solo to Great 2nd Touch
Solo Sub-Octave to Great 2ndTouch |
16
16
16
16
16
16
16
16
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
5 ⅓
4
4
4
4
4
4
4
4
4
4
4
2 ⅔
2 ⅔
2 ⅔
2
2
2
2
1 ³/5
IV rks
37 notes
37 notes
37 notes
37 notes
16
8
4
8 |
(actually new ACCOMP Flute)
(ACCOMP)
(From No. 64)
(From No. 65)
(ACCOMP)
(SWELL)
(ACCOMP)
(ACCOMP)
(ACCOMP)
(ACCOMP Viola)
(From No. 64)
(ACCOMP)
(SWELL)
(ACCOMP)
(From No. 70)
(ACCOMP)
(ACCOMP)
(ACCOMP)
(ACCOMP)
(ACCOMP)
(17.19.flat 21.22 - 8.10.12.15)
(PERCUSSION)
(PERCUSSION)
(PERCUSSION)
(PERCUSSION)
Stopkeys 114 to 117 and the following two couplers are situated above the
Solo manual |
ACCOMPANIMENT (All ranks in Accomp chamber unless
otherwise stated)
| |
Bottom row of stopkeys |
|
|
| 118 |
Contra Dulciana |
16 |
|
| 119 |
Gedeckt (engraved on stopkey) |
16 |
From new Flute rank – see below |
| 120 |
Vox Humana |
16 TC |
|
| 121 |
Viola |
8 |
|
| 122 |
Dulciana |
8 |
|
| 123 |
Open Diapason |
8 |
New Christie rank |
| 124 |
Flute |
8 |
New Christie Rank |
| 125 |
Gamba |
8 |
SWELL |
| 126 |
Tibia Clausa |
8 |
SOLO |
| 127 |
Vox Humana |
8 |
|
| 128 |
Tuba Horn |
8 |
SOLO |
| 129 |
Orchestral Trumpet |
8 |
SOLO |
| 130 |
Clarinet |
8 |
SOLO |
| 131 |
Orchestral Oboe |
8 |
SOLO |
| 132 |
Saxophone |
8 |
SOLO |
| |
Accompaniment Octave coupler |
|
|
| |
Top row of stopkeys |
|
|
| 133 |
Viola |
4 |
|
| 134 |
Dulciana |
4 |
|
| 135 |
Tibia Clausa |
4 |
SOLO |
| 136 |
Octave |
4 |
From No. 123 |
| 137 |
Gambette |
4 |
SWELL |
| 138 |
Flute |
4 |
|
| 139 |
Vox Humana |
4 |
|
| 140 |
Dulciana Twelfth |
2 ⅔ |
|
| 141 |
Flute Twelfth |
2 ⅔ |
|
| 142 |
Dulcetina |
2 |
|
| 143 |
Flute |
2 |
|
| 144 |
Flute Tierce |
1 ³/ 5 |
|
| 145 |
Dulciana Tierce |
1 ³/ 5 |
|
| 146 |
Dulciana Mixture |
III ranks |
derived |
| 147 |
Marimba |
49 notes |
PERCUSSION |
| 148 |
Chrysoglot |
37 notes |
PERCUSSION |
| |
Accompaniment Second Touch
Stops (stopkeys above Solo manual RH side) |
|
|
| 149 |
Tibia Clausa |
8 |
SOLO |
| 150 |
Open Diapason |
8 |
GREAT |
| 151 |
Tibia Clausa |
4 |
SOLO |
| 152 |
Tibia Clausa |
2 |
SOLO |
| 153 |
Tuba Horn |
8 |
SOLO |
| 154 |
Clarinet |
8 |
SOLO |
| 155 |
Orchestral Oboe |
8 |
SOLO |
| 156 |
Orchestral Trumpet |
8 |
SOLO |
| 157 |
Saxophone |
8 |
SOLO |
| |
Accompaniment Non-Tonal
Percussions (stopkeys above Solo manual LH side) |
|
|
| 158 |
Tambourine |
|
PERCUSSION |
| 159 |
Castanets |
|
PERCUSSION |
| 160 |
Chinese Block |
|
PERCUSSION |
| 161 |
Sand Block |
|
PERCUSSION |
| 162 |
Sleigh Bells |
|
PERCUSSION |
| 163 |
Tom=Tom |
|
PERCUSSION |
| 164 |
Snare Drum Roll |
|
PERCUSSION |
| 165 |
Cymbal Tap |
|
PERCUSSION |
| 166 |
Triangle (2nd Touch) |
|
PERCUSSION |
| 167 |
Tolling Bell (2nd
Touch) |
|
PERCUSSION |
| 168 |
Cymbal Crash (2nd
Touch) |
|
PERCUSSION |
| 169 |
Bird Whistle (2nd
Touch) |
|
PERCUSSION |
STRING ORGAN (in Accompaniment chamber)
| 170 171
172
173
174
175
176
177 |
Contra Viola Quintaton
Violes d’Orchestre II ranks
Voix Celestes II ranks
Violette
Musette
Lieblich Gedeckt
Cornet de Violes
String Sub-Octave
String Unison Off
String Octave |
16
8
8
8
4
4
4
IV ranks |
|
SOLO ORGAN (All ranks in SOLO chamber unless otherwise stated)
|
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215 |
Tibia Clausa Tuba Horn
Contra Tromba
Double Trumpet
Contra Oboe
Tibia Clausa
Harmonic Claribel
Open Diapason
Flute
Tuba Mirabilis
Tuba Horn
Orchestral Trumpet
Tromba
Trumpet
Oboe
Saxophone
Orchestral Oboe
Clarinet
Vox Humana
Tibia Clausa
Octave Claribel
Octave
Flute
Tuba Horn
Trumpet
Clarion
Vox Humana
Tibia Clausa Twelfth
Tibia Clausa
Marimba
Chrysoglot
Carillon
Xylophone re-iterating
Xylophone tap
Glockenspiel
Orchestral Bells
Sleigh bells
Chimes
Solo Sub Octave Solo Unison Off Solo Octave *Solo to Accomp 2nd Touch *Solo Octave to Accomp 2nd Touch *Solo Sub-Octave to Accomp 2nd T
*stopkeys above Solo manual
|
16
16
16
16
16
8
8
8
8
8
8
8
8
8
8
8
8
8
8
4
4
4
4
4
4
4
4
2 ⅔
2
49 notes
37 notes
25 notes
37 notes
37 notes
37 notes
37 notes
25 notes
17 notes
|
(GREAT)
(SWELL)
(SWELL)
(GREAT Open Diapason 1)
(SWELL Röhr Gedeckt)
(GREAT)
(SWELL)
(SWELL)
(ACCOMP)
(GREAT Open Diapason II)
(SWELL Röhr Gedeckt)
(SWELL)
(GREAT)
(ACCOMP)
PERCUSSION
PERCUSSION
PERCUSSION
PERCUSSION
PERCUSSION
PERCUSSION
PERCUSSION
PERCUSSION
PERCUSSION
|
INTER-MANUAL AND MANUAL TO PEDAL COUPLERS
located on left hand bottom row
| Accompaniment to Pedal
Great to Pedal Swell to Pedal Solo to Pedal String to Swell Solo to Swell String to Great
|
Swell to Great 16 Swell to
Great 8 Swell to Great 4 Solo to Great 16 Solo to Great 8 Solo to Great 4 Accompaniment to Great 16 Accompaniment to Great 8 Accompaniment to Great 4
|
TREMULANTS (named "Vibrato" on the stopkeys)
Swell Main
Accomp Vox Humana
Accomp Diapason & Flute
Accompaniment Main & String Organ
Solo Tibia
Solo Saxophone & Orchestral Trumpet
Solo Tuba Horn & Harmonic Claribel
Solo Clarinet & Orchestral Oboe
The 16' Octaves of all tremulated ranks are unaffected by the tremulants
PISTON LAYOUT
Under ACCOMP MANUAL:
5 to String Organ, 5 Double Touch (2nd touch providing suitable Pedal), and 8
single touch),
General Cancel
under GREAT MANUAL:
5 Double Touch (2nd touch providing Suitable Pedal), and 8 Single touch
Under SWELL MANUAL:
5 Generals (Nos. 6-10), 10 Single Touch, 2 Generals controlling all couplers
Under SOLO MANUAL:
5 Generals (Nos. 1-5), 10 Single Touch
ABOVE PEDAL-BOARD
18 toe pistons to Pedal
10 toe pistons to Swell or Generals (switchable and controlled by stop key
located to the left of the Tremulents)
Reversible thumb pistons for:- SWELL to GREAT, SOLO to
GREAT,
GREAT to PEDAL, ACC to PEDAL, SWELL to PEDAL,
FULL ORGAN (with illuminated indicator)
OCTAVE COUPLER CANCEL
DOUBLES OFF rocker tablet (with illuminated indicator)
Reversible toe pistons for:- SWELL to GREAT, GREAT to PEDAL
The Accompaniment & Great pistons also control second touch stops.
Two setter pistons - one for 1st touch and one for second touch
There are 16 levels of memory for each Division and 96 levels of General memory.
Cancel bar to each division
3 balanced swell pedals, switchable to any of the four sets of swell shutters.
The Great shutters can be isolated from the pedals,
thereby rendering the ‘straight' Great department unenclosed.
Balanced programmable general crescendo pedal (with illuminated indicator)
Switch for percussions and effects (with illuminated indicator)
CHAMBER ANALYSIS SOLO CHAMBER - LEFT HAND SIDE OF
STAGE (upper) all ranks available on all manuals
| Tibia Clausa |
16-2 |
Also on Pedal at 16-8 |
| Harmonic Claribel |
8-4 |
|
| Tuba Horn |
16-4 |
Also on Pedal at 16 |
| Clarinet |
8 |
|
| Orchestral Oboe |
8 |
|
| Orchestral Trumpet |
8 |
|
| Saxophone |
8 |
|
| All above duplexed on other manuals |
|
|
| Tuba Mirabilis
Tremulants for Solo ranks :
Tibia Clausa:
Harmonic Claribel & Tuba Horn:
Saxophone & Orchestral Trumpet:
Clarinet and Orchestral Oboe |
8 |
(playable only on Solo or through couplers on
other manuals) |
PERCUSSION CHAMBER - LEFT HAND SIDE OF STAGE (middle)
Marimba Harp, Chrysoglot/Vibraphone, Glockenspiel, Xylophone, Orchestral
Bells, Carillon, Tuned Sleigh bells, Chimes and non-tonal percussions and
effects. (Swell shutters linked to Solo chamber shutters)
SWELL CHAMBER - LEFT HAND SIDE OF STAGE (lower)
(Mainly straight - some extension and duplexing - otherwise a conventional
Swell Organ)
| Contra Gamba |
16-4 |
Available on Pedal Great and Accomp |
| Röhr Gedeckt |
16-2 ⅔ |
Available on Solo |
| Violin Diapason |
8-4 |
|
| Voix Céleste |
8 |
|
| Fifteenth |
2 |
|
| Mixture |
IV ranks |
17.19.22.26 |
| Double Trumpet |
16-4 |
Available on Pedal and Solo |
| Horn |
8 |
Available on Solo |
| Contra Oboe
Tremulent to all ranks
(stopkey engraved "Swell Vibrato") |
16-8 |
Available on Solo |
GREAT CHAMBER - RIGHT HAND SIDE OF STAGE (upper)
(Mainly straight - some extension - a classical Great Organ)
| Bourdon/Stopped Diapason |
16 |
Available on Pedal (16, 10⅔, 8) |
| Open Diapason 1 |
8 |
Available on Solo |
| Open Diapason 2 |
16-4 |
Available on Pedal (and Solo at 4’) |
| Open Diapason 3 |
8 |
|
| Octave |
4 |
|
| Waldflute |
4 |
|
| Twelfth |
2 ⅔ |
|
| Fifteenth |
2 |
|
| Mixture |
IV ranks |
17.19.flat 21st..22 -
8.10.12.15 |
| Contra Tromba |
16-4 |
Available on Solo in all three pitches |
| Ophicleide |
16-8 |
See note below – re Pedal Organ |
| Open Wood (32 notes) |
8 |
See note below – re Pedal Organ |
PEDAL ORGAN ranks in Great chamber
Apart from using the 16ft extensions of many of the manual ranks, there is
also, in the Great chamber an independent Pedal Trombone 16' with extended Ophicleide 32' with the bottom 12 notes now digitally generated owing to the
fact that there is not enough room in the new chambers for the full-length
pipes originally installed in the previous chambers. Also a 24 note 32 ft
electronic Double Open Diapason was part of the original scheme, but did not
function properly and was disconnected in 1945 or thereabouts. A digital
replacement for this has also been installed. This is extended upwards to 16'
(Open Wood) and then the 32 note Open Wood 8' unit takes over to complete the
trio of 32', 16' and Octave 8'. These digital replacements have been sampled and created by David Houlgate,
the well-known Brighton electronic organ engineer.
ACCOMPANIMENT/STRING CHAMBER - RIGHT HAND SIDE OF STAGE (lower)
| Flute |
16-1 ³/5 |
New Unit – Christie pipework (Acc & Gt) |
| Open Diapason |
8-4 |
New Unit – Christie pipework (Acc only) |
| Vox Humana |
8-4 |
Available on all manuals |
| Dulciana |
16-1 ³/5 |
Available on Pedal (16’), Accomp & Great and
as Dulciana Mixture III |
| Viola |
8-4 |
Available also on Great at 8 and 5 ⅓ |
| STRING ORGAN (floating division) |
|
|
| Contra Viola |
16 |
Also on Pedal at 16’ |
| Quintaton |
8 |
|
| Violes d’Orchestre II |
8 |
|
| Voix Celeste II |
8 |
|
| Violette |
4 |
|
| Musette |
4 |
|
| Leiblich Gedeckt |
4 |
|
| Cornet de Violes Tremulants:
Flute & Diapason:
Vox Humana:
Dulciana, Viola and String Organ |
IV ranks |
|
|
